AudioFinder is a MP3 & Audio software developed by Iced Audio. After our trial and test, the software is proved to be official, secure and free. Here is the official description for AudioFinder: BSEditor: AudioFinder is an audio asset management system, and music production hub. AudioFinder gathers all the most useful tools in one quick and intuitive application, enabling you to be more creative by handling all the time consuming tasks that slow down your music production. AudioFinder can build a of every sound on your system, save it, and search it instantly to find the sounds you need when you need them. Use AudioFinder to create custom sets for sound categories and specific projects, with fast file browsing to audition, analyze, process, convert, and move or the samples in your library. AudioFinder can visualize sounds instantly with the waveform overview and preview them at any pitch via MIDI or the built in keyboard, all in real-time.
Sounds can even be previewed through your favorite AudioUnits. Speaking of Plug-Ins, AudioFinder features an advanced Plug-In manager and slew of other studio necessities that will make your workflow flow. Necessities like with built-in beat detection and tools for fast trimming, fading, slicing and dicing your sounds.
You can even convert your audio sample CDs into individual files with just a few clicks of the mouse. Built 100% for Mac OS X using CoreAudio, AudioFinder is PPC and Intel Native. Feature Highlights: Read the latest usage tips. Groundbreaking Mac OS X Finder Integration Advanced and fast sound searching Integrated Sample Tool trim/loop/fade editor with beat slicer Browser, bookmarks, history, favourites, and navigation tools Play multiple sounds at sound time to explore layering. Comprehensive power renaming functions Instant playback with mouse and MIDI input for pitch control Peak and pitch analyzer tools Micro-Harmonic Sound Compare Drag-and-drop integration with Finder and all audio apps Loop BPM detection BPM tap pad, reference tone generator, AudioUnit preview playback and processing Useful built-in DSP operations.
Following on from previous posts about metadata, I have emailed the developer of each library app and asked the same questions of them, specifically: Could you provide basic info for me as to how your application handles metadata? – does it read iXML? – does it write iXML? – does it read BEXT? – does it write BEXT? – do you use your own custom metadata?
– can your custom metadata be read by other programs? – can your custom metadata be exported for use in other programs? – what fields of metadata do you support? – can I import metadata from a spreadsheet? What formats are supported? Now two comments: 1.
If any readers know of Sound Library software that I have missed which should be included, please let me know in the comments – I did contact but have never had a response. I will update this post when/if I do. Developers, if I have misquoted you at all please get in touch asap (using the email link over on the right) & I will update this post – I totally appreciate how much hard work is involved in developing and evolving these apps and it is very important to me that your work is represented fairly & as you wish. The implementation of metadata is an evolving area, and this post is a snapshot as per these apps now. If in future you wish to update any of your comments as new features are implemented, please also get in touch! AudioFinder – – US$69.95 – OSX “There are two market niches for metadata, one is overflowing with support and the other has been almost entirely ignored.
Market one, the main one is sound designers for post production managing sound effects. This is primarily where all the apps are focused. This is not where AudioFinder is focused. The second potentially larger niche, but completely ignored is musicians managing sample libraries, this is AudioFinder’s focus.
AudioFinder’s Metadata is aimed at adding properties that are musically useful to people composing music. Most of the open standards like BEXT and IXML are focused on post-production and broadcast and don’t really offer anything useful to someone looking for sounds in a music project. AudioFinder does not modify files – when people do processing actions in AF it always creates a new file.
Therefore, AudioFinder keeps all the metadata users enter in an SQLite database. When the user enters metadata about a file, a new database entry for the file is created, and the file is finger printed, so if they move the file, the fingerprint will allow it to be reconnected to the metadata database. The special part about the AF metadata implementation is that it’s open.
SQLite is open source and an industry standard. There are plenty of little database utilities out there that can work on it. Anyone is invited to work with the AudioFinder metadata database. Does AudioFinder read iXML? It doesn’t read some of the custom sections.
Does AudioFinder write iXML? No Does AudioFinder read BEXT? Yes Does AudioFinder write BEXT? No Do you use your own custom metadata? Yes, in the SQLite database Can your custom metadata be read by other programs?
Yes, if they want to read the database, the format is open and not encrypted. Can your custom metadata be exported for use in other programs? A user can use an SQLite utility and export the database, into many formats. What fields of metadata do you support?
Fields that are musically useful i.e. Key, instrument, BPM etc please for the complete listing. Can I import metadata from a spreadsheet? What formats are supported? No – US$289 – Windows & OSX Does BaseHead read iXML?
We do but only from recorder files in which the BEXT is standardised. Does BaseHead write iXML? We write aXML now and full support for iXML in Version 3.x Does BaseHead read BEXT? Yes Does BaseHead write BEXT? Yes Do you use your own custom metadata? Yes, we have a chunk called aXML that is the same as iXML but labeled differently so we can find it quick. Writes this with indexes that we read in BaseHead.
BaseHead also writes all changed descriptions to aXML and BEXT simultaneously since BEXT has a character limit of 256 – aXML is helpful for long descriptions and files with tons of indexes in one file. Can your custom metadata be read by other programs? It’s basic XML based so an other program can read it if they sat down for 10 minutes and coded it in. Can your custom metadata be exported for use in other programs? Not directly, but we invite any other sound library programs to read it since it’s only basic XML. We support only open standards and always will! What fields of metadata do you support?
Id 1 path 2 filename 3 description 4 start 5 length 6 hideme 7 bitrate 8 channels 9 dateadded 10 samplerate 11 type 12 cdtitle 13 artist 14 codinghistory 15 originaldate 16 originatorref 17 originator 18 timecode 19 categoryshort 20 category 21 index 22 comment 23 episode 24 framerate 25 group 26 library 27 location 28 projectname 29 rating 30 tape 31 scene 32 snappoint 33 take 34 tracktitle 35 composer 36 designer 37 publisher 38 folder 39 genre Can I import metadata from a spreadsheet? What formats are supported? Not directly, most users migrating metadata end up formating Excel sheets in a way that Injector Pro likes and then just burn the descriptions into the files permanently.
Or use some SQLite tools to migrate data, but I suggest the first way since then the files have descriptions in them permanently. Can I export metadata to a spreadsheet? Not directly in BaseHead, but we use a SQLite database now and there are plenty of tools to read our non-encrypted database and export that to a Spreadsheet. Added comments: BaseHead can read: BEXT, iXML (limited), aXML, SNDM v3, NMIX, ID3, OGG Library Monkey Pro – – US$399 – OSX Library Monkey – – US$129 – OSX Does it read iXML?
Does it write iXML? We do not currently support iXML read/write in our products.
Does it read BEXT? Does it write BEXT? We support this where BWAV is supported Do you use your own custom metadata? We do not embed any custom metadata as we strive to support and be complient to industry standards. Our librarian products do provide custom fields which can be mapped to a formats metadata field.
Can your custom metadata be read by other programs? N/A Can your custom metadata be exported for use in other programs? In our Librarian software we provide 30 user fields that can be remapped on processing into the desired formats metadata. What fields of metadata do you support?
Library Monkey Pro Library Monkey AIFF ID3 Tags v2.2, v2.3 Protools Metadata Soundminer Metadata FLAC FLAC Comments MP3 ID3 Tags v1.1, v2.2, v2.3 MPEG 4 Audio MPEG 4 Metadata OGG/FLAC FLAC Comments OGG/Vorbis Vorbis Comments Quicktime Movie Quicktime Metadata Quicktime User Data Sound Designer II Protools Metadata WAVE/BWAVE ID3 Tags v2.2, v2.3 Protools Metadata Soundminer v3 Metadata WAVE Info Can I import metadata from a spreadsheet? What formats are supported?
In both Library Monkey and Library Monkey Pro you can use a tab-delimited file to import your data. This data is not embedded into the file until processed.
Can I export metadata to a spreadsheet? Not currently Added comment: One feature that I think is important to note is the metadata remapping we provide in Library Monkey Pro and By control+clicking the metadata field in the processing section you can have metadata from one format mapped to a field in another.
For example, you can take the composer field in a MP3 file and move it to a different field in a bwav file. This would then remap it automatically for all processed files. Snapper – – US$79 – OSX Does Snapper read iXML? Snapper 1, the current version doesn’t. Snapper 2, which is in the works, will. Does it write iXML?
No Does it read BEXT? Yes Does it write BEXT?
Yes, if appropriate info is available in the input file Do you use your own custom metadata? No Can your custom metadata be read by other programs? Can your custom metadata be exported for use in other programs? N/A What fields of metadata do you support? Everything that’s legible, that is, not in a custom format from field recorder or software. Most notably copyright tags, take numbers and time stamps.
Can I import metadata from a spreadsheet? What formats are supported? Can I export metadata to a spreadsheet? Is available for OSX, Windows & Web platforms SoundMiner PRO – US$899 SoundMiner – US$599 – OSX MiniMiner – US$199 – OSX (metadata read only) For comparison of functionality in versions, please see “Soundminer has been at the forefront of the metadata discussion for ten years.
We very early on realized and developed a specialized container for the purposes of holding expanded embedded metadata regardless of the file format. This was something no other products on the market at the time did. We worked tirelessly with our user base and the content creators in creating both application support and tools that would allow for the distribution and ingestion of this metadata and compatible industry metadata. The Soundminer metawrapper was developed alongside ‘open’ containers so as to be as compatible as possible with industry standards, while allowing us to further develop our own metawrapper for use within our various aggregator products. We have published a ‘whitepaper’ that details our position on metadata – please see Does SoundMiner read iXML? Yes Does it write iXML? Yes Does it read BEXT?
Yes Does it write BEXT? Yes Do you use your own custom metadata? Yes Can your custom metadata be read by other programs? Other applications can read the metadata we print to the open containers.
Please see additional comments below with regards to our custom metadata. Can your custom metadata be exported for use in other programs? Any set of metadata fields in Soundminer can be exported as text What fields of metadata do you support? Not modifiable fields (hard attributes derived from the files themselves): Filename – 255 characters (Both V3 and V4) Pathname – limited only by system File size – in bytes File type – 4 character creator signature (ie.,aif,.wav,.mp3) Duration- minutes and seconds Channels – mono(1), stereo(2), 3-8 channel surround. Creation Date – date format Modification Date – date format Bit Depth – 16 or 24 bits Sampling Rate – 44khz up to 192khz Original time Stamp (allotted for future) User Time Stamp (allotted for future) Master Modifiable V4 metadata fields: (these are the main fields which pertain to searchable metadata for most users) Description – 1000 characters – (255 characters under V3) Notes – (255 characters under V3 and V4) Category – 62 characters (31 characters under V3) – used for OBJECTIVE Musical category.
See accompanying addendum on Categories. SubCategory – 62 characters additional category or genre information. See addendum for more info.Composer – 255 characters(31 characters under V3) name of the Composer(s) and should contain affiliation and percentage information.
It must follow the following format (Composer first name, last name, affiliation, percentage and every Composer would be then separated by a or pipe – ie. Johan P., Smith, ASCAP, 50% John G., Doe, BMI, 50%.Publisher – 255 characters – name of the Publisher and should contain affiliation and percentage information. It must follow the following format (Publisher, affiliation, percentage and every Publisher would be then separated by a pipe – ie. MyMusicCo, ASCAP, 50% YourMusicCo, BMI, 50% FeaturedInstrument – 128 characters – a list of the main instruments featured in the piece of music. CDTitle – 62 characters – title of the CD CDDescription – 128 characters – a description of the contents or theme of the CD if applicable. TrackTitle – 128 characters – name of the piece of music Library – 62 characters(31 characters under V3)– name of the Library Manufacturer – 62 characters(31 characters under V3) name of the Manufacturer or Distributor or Author Mood – 62 characters.
Audiofinder 5 Serial Number Lookup
An alternate field to place ‘Mood’ specific descriptors. Suggested: place these kinds of adjectives in your main Description field as well. Usage – 62 characters. An alternate field to place categoric usage like ‘sports’, ‘documentary’, ‘human interest’. Suggested: place these kinds of adjectives in your main Description field as well. Version 31 characters.
An field to place version identifier. For example, you may have 4 versions of a track with the same name, but in here you could add things like ‘underscore’ ‘alt mix 1’, etc. Volume – used to link files in the web portal grouping systems. If from a library series or batch, it could be identified here. Lyrics – 1000 characters. Here you can add your lyrics. Use the ‘pipe’( ) character to separate your lines so it can be reformatted better for display inside the web portal or in the v4pro metadata pane.
Artist 62 characters. Use this field if using band material where the artist may be someone other than the Performer and or Composer. Designer – 62 characters(31 characters under V3) name of the creator as in Sound Designer.
Source – 62 characters(31 characters under V3) – original CD source as in CD001:01:01 (CD/Track/Index). This is also a good place for a unique identifier. Show – 62 characters(31 characters under V3)– usually the name o the Project the sound was designed for. LongID – 62 characters (31 characters under V3) usually reserved alternate ID or as alternate for V3 systems that have no field dedicated for Track Title Short ID – 31 characters(10 characters under V3) – reserved for shortened Category denominations as per our Music Categorization document. Record Medium – 62 characters(16 characters in V3) – Originating Medium – DVD, CD, VHS, etc Record Type – 62 characters(16 characters) – usually used for type of file – ie. Full Mix, Narration, Underscore, etc. Or used for original formatrecording type – room tone, wild track.
Location – 128 characters (62 characters) – originator reference number. Perhaps a serial number or name that associates the file with a master file on your hard drive. Microphone – 62 characters(31 characters under V3)- usually reserved for sound designers who like to note what microphone they used when recording a sound effect. Arranger – 128 characters(31 characters under V3) Conductor – 128 characters(31 characters under V3) Performer – 128 characters(31 characters under V3) Rating – (8 characters) Usually used to denote files BPM – 31 characters(4 numeric characters under V3) used for tempo information Editor comment – 255 characters (leave blank as it is used by the end user) Keywords- 255 characters (leave blank as it is reserved for Soundminer’s internal search engine – use the description field for your keywords) FXName – 128 characters – name of effect if applicable Key – 15 characters.
Musical key of file if applicable Scene – 31 characters – Project or Production specific information Take – 31 characters – Project or Production specific information Tape – 31 characters – Project or Production specific information Project level Metadata: (In the Soundminer system, users can add a secondary level of data to copied files that contain Project specific notes and information. This level is purely for the copied file and does not reside in the original file.) Region/Clip Name EDIT – In time EDIT – Out time Reel – 10 characters Footage – time specific Scene – 10 characters Scene Description – 31 characters Supervisor Notes – 512 characters Spot Date – date specific FFOA – first frame of action Version – version of the edit list Title, Transfer path, Status, Type, Perspective – all film specific metadata used by the supervisor. Destination filename – 255 characters BWAV: (specific to the BWAV BEXT standard) Description – 255 characters OriginatorRef – 31 characters Originator – 31 characters Date – specific date format Time – 00:00:00 Timestamp – numerical Understanding the wrapper will help you maximize your metadata presence and use. V4pro allows you to combine different fields so you could maximize the limited space provided by the BWAV description container to hold ‘composer, publisher, CD source and a shortened description while naming the copied file by track title for example.
IXML This standard was created primarily for field recording. It is useful however in that many applications are now adopting it and it can be used in a very modified way to hold information that is relevant to music as well (although it is not designed for such). Version – lists the version of iXML the file used Project – name of the project Scene – film/project specific Take – film/project specific Tape – refers to the tape the file was originally recorded to but could be used for the CD source for example. Note – Here is a good place for the description or combination of fields as in: category, description, composer, Publisher UID – special unique identification number. Can I import metadata from a spreadsheet?
What formats are supported? Tab seperated text is necessary with headers to align the content into Soundminer’s field format. SoundMiner can also import from CSV text sheet and Itunes XML.
Additional comments: For the record, v4 data is encrypted because when we designed v3 for v3 aggregators we never thought others would backward engineer access to it for their own agenda and begin writing to it – sometimes incorrectly, thus causing issues in our aggregators. V4 data is for Soundminer applications and are an entrenched part of enterprise solutions in many different markets. We cannot risk having other companies applications adversely affecting our client’s systems. – OSX – US$79.90 Does it read iXML?
No Does it write iXML? No Does it read BEXT? Yes Does it write BEXT? Yes Do you use your own custom metadata? No Can your custom metadata be read by other programs? Can your custom metadata be exported for use in other programs? N/A What fields of metadata do you support?
TwistedWave supports Soundminer v3 tags, BEXT metadata, and the usual title, album, artist, year, genre, artwork found in id3 tags and in FLAC files. Can I import metadata from a spreadsheet? What formats are supported? No Additional comments: TwistedWave is still young, and I will certainly consider improving metadata support in the future.
My motive for suggesting using the File Comment column in ProTools is that it works in ProTools, SoundMiner, BaseHead, AudioFinder etc I’ll do a test on the BWDescription Field of Sound Miner next time I’m at my studio (or you can if you own it) but need t insure it is readable by all of the apps & not just PT and SoundMiner. It totally depends on why you are entering metadata if it is purely for your own use & you own SoundMiner then you can use as many of SoundMiners custom fields as you like. Hi, You’ve talked that Netmix never turn back your call’s. Is there any news? I’d like to know what you guys think of NetMix Pro, Net Mix Server, NetMix web, In the company where I work, they are trying to find solutions to change a bit of the workflow and that all the data could have metadata and can be accessed by hundred of people with limited accesses or not, we had a a presentation with the President and he show us what netmix Pro, server, metaplug can do and is AWESOME!
Is there other’s company’s that make this kind of workflows to see they are better? Regards, Marco.